Description
Der Stammtisch Ca 1928
George Grosz — German-American, 1893–1959 — New Objectivity / Berlin Dada
George Grosz was a central figure in the Weimar-era German avant-garde, known for caustic drawings and paintings that documented the social wreckage of post-World War I Berlin. A founding member of Berlin Dada and later associated with Neue Sachlichkeit, he developed a sharp linear style indebted to caricature, rendering profiteers, prostitutes, generals, and crippled veterans with unsparing exactness.
- For Unframed and Framed Art - Acid free Archival Inks Printed on Museum Grade Paper. Museum Grade Paper is known to be Archival, which means it can be stored for a long time without turning yellow.
- Canvas Art Printed Using Archival Inks on Museum Quality Matte Canvas.
